Ten or twelve times, at least.
is the latest feature film by Abel Gance, it dates from 1964. The world of Corneille and Dumas, Retz and Zevaco miraculously merge on the screen. The film is versified, and more, making it an object movie unlikely and yet perfectly believable. Just as he says, moreover: the encounter between Cyrano de Bergerac and the young D'Artagnan, at the time of the conspiracy of Cinq-Mars on the bottom of crossover love with Ninon de l'Enclos and Marion Delorme. Abel Gance violated History but he did a very beautiful child, would have said, once again, Alexandre Dumas.
If I were asked to recommend a foreign film that could not summarize the national identity (as small marquis of junk ethnicist have finally discredited these words) but a certain mindset French, due to plume courage, libertinism, taste for intrigue, gaiety, love, crazy sense of honor, rebellious irony, of deliberate confusion between the fencing and the literature is undoubtedly Cyrano and D'Artagnan, I would recommend.
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